WHAT WE LEFT UNFINISHED – Screening Dates at Berlinale


January 30th: WHAT WE LEFT UNFINISHED, the first feature film directed by internationally acclaimed artist Mariam Ghani, will celebrate its world premiere in the Forum section of this year’s Berlin International Film Festival.

WHAT WE LEFT UNFINISHED tells the mostly true story of five unfinished films from the Communist era in Afghanistan. A tight-knit group of filmmakers loved cinema enough to risk their lives for art – in a time when films were weapons, filmmakers became targets, and the dreams of constantly shifting political regimes merged with the stories told on screen.

SCREENING DATES
WORLD PREMIERE:
Saturday, February 9th, 02.00 pm, Werkstattkino@silent green
followed by panel discussion with the director Mariam Ghani, artist Moshtari Hilal, and curator/writer David Elliott
Encore Presentation: Monday, February 11th, 12.30 pm, Arsenal 1

Mariam Ghani was also involved in organizing the Afghan films of the Archival Constellations program and her team helped prepare the new restorations being screened. She will introduce and conduct Q&As for the screenings of films by two directors featured in WHAT WE LEFT UNFINISHED:

Hamas-e Eshq (Epic of Love) by Latif Ahmadi (lead actors Sabera and Nemat Arash present for Q&A): Monday, February 11th, 03.00 pm, Arsenal 1
Baba by Juwansher Haidary (screened with Qader Tahiri’s short Khan-e Tarikh / The House of History): Monday, February 11th, 06.45 pm, Arsenal 1

Director/Producer: Mariam Ghani
USA / Afghanistan / Qatar, 2019, 72 minutes
Original language / subtitles: Dari / English
Executive Producer: Alysa Nahmias
A production of Indexical Films in association with Ajna Films
World Sales: Wide House (Anais Clanet)

Major funding provided by Creative Capital, Doha Film Institute, and the New York State Council on the Arts
Supported by the Women Make Movies Production Assistance Program and TFI Network
Post-production support from EMPAC 

The Film
In WHAT WE LEFT UNFINISHED archival fictions, present-day recollections, and both imagined and real visions of Afghanistan slip and slide into each other in a film that reminds us that nations are inventions, and films can reinvent them.

Between 1978 and 1991, the Afghan government changed hands five times. The Communist regimes all commissioned feature films. Five of those films were shot, but never edited, escaping the pervasive censorship of the time. WHAT WE LEFT UNFINISHED is made from the rediscovered footage of those five unfinished Afghan Communist films, present-day interviews that reveal the behind-the-scenes stories of the filmmakers and new footage shot in the same locations by some of the same directors.

Throughout the interweaving of histories and fictions, the film shows how the fictions were constructed, how much truth was in them by design, and how true they sometimes became in their making. Gradually we come to understand both the price paid by Afghan filmmakers for the benefits they gained under Communism and the reasons they persisted despite the risks they faced – censorship, prison, opposition attacks and even death – and why they still believe that film could save Afghanistan from the divisions tearing it apart today.

The Director
Mariam Ghani is an artist, writer, and filmmaker. Her work looks at places, spaces and moments where social, political and cultural structures take on visible forms. Her previous projects in Afghanistan have documented the spatial politics of the post-war constitutional assembly, real-estate speculations in reconstructed Kabul, afterlives of former secret prisons, diasporic translators in theaters of war, and forgotten histories of Afghan modernists, artists and intellectuals. Her work has been exhibited, screened and published internationally, including films & installations  presented by Documenta 13, IFFR, CPH:DOX, transmediale, Lincoln Center, MoMA, and the Liverpool, Sharjah and Gwangju Biennials. Her work is in the permanent collection of the Guggenheim among other museums.  She co-wrote Afghanistan: A Lexicon with Afghan president Ashraf Ghani and co-created the Afghan Films online archive with Pad.ma. WHAT WE LEFT UNFINISHED is her first feature. www.mariamghani.com

Executive Producer
Alysa Nahmias is an award-winning director/producer and founder of Los Angeles-based production company Ajna Films. Nahmias’ debut feature Unfinished Spaces appeared on Netflix, PBS, and HBO Latin America, garnering a 2012 Independent Spirit Award and numerous festival prizes. Nahmias’ credits also include producing Unrest (Jury Award, Sundance 2017); Afternoon of a Faun: Tanaquil LeClercq (NY Film Festival 2013, Berlinale 2014); Shield and Spear (Hot Docs 2014); and No Light and No Land Anywhere (Jury Award, LA Film Festival 2016). Her work has been exhibited worldwide, including at the Venice Biennale and MoMA. She is a 2019 Sundance Momentum Fellow. ajnafilms.com

WHAT WE LEFT UNFINISHED by Mariam Ghani is part of the Archival Constellations program of this year’s Forum section of the Berlin International Film Festival. You can find more information about the film on its official website www.whatweleft.com and images, excerpts, updates and background on both WHAT WE LEFT UNFINISHED and the Afghan screenings of the Archival Constellations program are released regularly via the film’s social accounts: @whatweleftunfinished (IG) / @whatweleft (Twitter)